:::: MENU ::::

Posts Tagged / beatape

  • 5月 09 / 2014
  • 2
Chinese 原创

Aichen – Ebola

“Ebola”是张纯音乐数字专辑。
风格以南部、电子、硬核为主。
历时半年,只出精品。
来自相扑音乐!

1. 传播
2. 潜伏期
3. 感染
4. 病毒扩散
5. 细胞破坏
6. 发热性
7. 出血
8. 死亡
9. Ebola
10. Lose Yourself (Bonus Track)
11. Koas (Bonus Track)
Continue Reading

  • 4月 28 / 2014
  • 0
Rhythm 旋律

中国风说唱伴奏Onra – Chinoiseries, Pt.2

6f72acfbhb22657bd15ac&690

对于真正的hip-hop迷来讲,hip-hop音乐近年来确实没有日新月异的发展,虽然每年都有新面孔冒出头来,但真的值得记住的名字聊聊无几。就在2007年到2008年交接的瞬间,一张主要采样自中国和越南早期流行音乐和民间音乐的hip-hop唱片《Chinoiseries》(FAVORITE唱片厂牌发行)问世,随着该唱片跃入人们视野的还有它的制作人—ONRA!他的出现不仅仅在hip-hop界如惊雷般炸响,更是让这些向老美看齐的音乐人和乐迷将目光齐齐转向了ONRA的所在地—法国

ONRA真正的名字是ARNO,这个外表俊朗的法国男孩身上还流淌着一半越南的血液,《Chinoiseries》的灵感就是从他回到父亲的出生地—越南的旅行中得到的。
回到那个炎热潮湿的地方,他一心就琢磨着怎样能淘到当地很老的黑胶唱片回去做采样。他在街上询问了许多人,但是几乎没有人知道他要找的是什么。当他经历千辛万苦在一些小店找到了他所描述的“黑色大唱片”时简直是欣喜若狂。由于不能在当地试听所以他尽可能多地将他们买下并带回法国。这些唱片大部分是中国和越南很早以前的流行音乐,由于很多唱片太老,再加上很长时间没有人妥善的整理和保护,其中的很多已经不能听了,但是还有一部分完好无损,当他第一次将唱针放在这些黑胶上时,唱机传出的音乐声将它彻底迷住了。这是全新的体验—新的曲式风格,新的声音,还有随着音乐而来的新的灵感,他当即决定结合在越南旅行时的感受做一张用中国和越南音乐采样的hip-hop专辑。于是在他旅行回来后的2006年开始潜心制作,2007年这张寓意为“受中国元素影响的艺术品”的专辑《Chinoiseries》诞生了。

这个来自法国的hip-hop节奏怪才并非天生就与音乐有着不解之缘,他和许多现在知名的制作人一样,都是从小时候受到别人的影响才开始慢慢对音乐着迷。ONRA有个哥哥,他从小的就以哥哥为榜样。哥哥那时候经常听 old school hip-hop,他也经常跟着一起听,开始是觉得这样的音乐非常酷,后来才开始渐渐了解并进入hip-hop音乐世界直到现在,差不多到他20岁左右的时候才开始听其他类型的音乐,因为听的东西多了才知道—原来很多他喜欢的制作人都用不同唱片的片段采样来做编曲。同样也还是那段时间他开始用很便宜的软件学习如何制作音乐。对他来说hip-hop的节奏比起歌词来更有吸引力,所以从开始尝试制作到现在他都是一器乐hip-hop为主线的。为大家所熟知的专辑《Chinoiseries》就能充分说明他驾驭节奏的能力;2007年2月他还与Quetzal一起在Favorite厂牌下发行了名为《Tribute》的EP,充满神奇越南风韵的funk和迷幻节奏再次让人深陷入他的神奇音乐世界。当然hip-hop不是他音乐的全部,他对soul,funk的掌控也相当娴熟,2009年3月,他同样在厂牌Favorite旗下发行了大受好评的7吋黑胶《The Anthem》,这张黑胶的问世将乐迷对他的狂热推向了高峰,他也在适当的时候向大家展示了他细腻流畅的另一面,之所以称他为怪才是因为他刚刚崭露头角没多久,却已经发行了几张非常有分量的专辑,速度之快和质量之高都令人瞠目结舌,这次ONRA来在中国还带来了他2009年2月才发行的新专《1.0.8》(Favorite唱片),这张唱片同样凝聚着他非凡的才华和众人的期待

ONRA真正意义上开始做音乐是从2003年开始的,因为那时候才慢慢开始有了设备:一个Akai MPC 1000采样器,我相信大部分人在看过他的简历以后会一致断定–他就是个音乐狂人,死守在黑胶和电脑前一刻也不得闲!但是他却说:“我从来没有学过乐器,所以我花很多时间去创作节奏。最近在玩一些合成器,试着自学,试着用自己的方式去玩,但是真的很难而且很花时间。我的日常生活是在下午2点左右醒,听一些音乐,回复电子邮件,做一些琐事,然后开始做音乐直到可能早上5,6点。 当然,我也花很多时间上网,我不是一周7天一天24小时都在做音乐…”

在这里我们还不得不提一位对ONRA的音乐之路有着举足轻重地位的音乐人。ONRA在他长大的过程中一直关注hip-hop音乐的发展,以前是谁红就听谁的,那时候也正是美国东西海岸饶舌派较量最为激烈的时候,当从这些对抗hip-hop中冷静下来,人也慢慢长大,终于发现他最喜欢的音乐人是J Dilla。

J Dilla(1974-2006)是美国非常著名的唱片制作人/说唱人/DJ,九十年代中期在底特律的地下hip-hop圈崭露头角。J Dilla可以说是ONRA音乐风格成型的催化剂,他认为没有人可以像J Dilla一样将采样做到极致,J Dilla的音乐将他带向了一个全新的领域并开阔了他的思路。ONRA真诚的说:即使现在很多的先锋音乐家仍然很敬重J Dilla,他的音乐就像是魔术,不是一般的人随便可以模仿得来的。他所有的音乐都很精致而且恰到好处,他总是不断推动hip-hop音乐的临界点,使其产生微妙的变化,他改变了我的生活!如果没有他的音乐存在,我今天根本不可能做出任何像样的东西。

ONRA是hip-hop音乐天空中一颗冉冉升起的新星, 他性情化的嘻哈节奏和风格变幻的采样使得他的光芒越来越耀眼。他在旅行的路上不断收集音乐的灵感和采样的素材,使他的节奏更难捕捉也更具个人色彩,ONRA式的hip-hop在不断的磨合历练中风格越来越明显,他已逐渐成为法国hip-hop界最具代表性的新生力量!

ONRA有个哥哥,他从小的就以哥哥为榜样。哥哥那时候经常听 old school hip-hop,他也经常跟着一起听,开始是觉得这样的音乐非常酷,后来才开始渐渐了解并进入hip-hop音乐世界直到现在,差不多到他20岁左右的时候才开始听其他类型的音乐,因为听的东西多了才知道—原来很多他喜欢的制作人都用不同唱片的片段采样来做编曲。

(via louder)
Tracklist:
01. Onra – The Arrival
02. Onra – A New Dynasty
03. Onra – It’s All Memories
04. Onra – Remember The Name
05. Onra – Open The Door
06. Onra – Gotta Go
07. Onra – Mai’s Theme
08. Onra – Words Of Encouragement
09. Onra – Trapped
10. Onra – One For The Wu
11. Onra – No Matter What
12. Onra – Meet The Queen
13. Onra – Stay With Me
14. Onra – Opium Delirium
15. Onra – Cold Blooded
16. Onra – Where I’m From
17. Onra – Still Broke
18. Onra – Snakes & Smoke
19. Onra – Mai’s Theme 2
20. Onra – Raw Shit
21. Onra – Ms.Ho
22. Onra – All Night
23. Onra – In My Mind
24. Onra – Hide And Seek
25. Onra – Play The Game
26. Onra – Warrior’s Pride
27. Onra – Like Father, Like Son
28. Onra – Fight Or Die
29. Onra – Through The Flesh
30. Onra – Tears Of Joy
31. Onra – They Got Breaks Two
32. Onra – The End
Continue Reading

  • 4月 24 / 2014
  • 3
Beatzone 推荐

Chinese Sample(中国风Rap伴奏)( collection by beatzone)

CD1:
01.DJ Sonny – Forgotten Times
02.DJ Sonny – Japan Chan
03.DJ Sonny – Rebirth Of The Realness
04.Freddie Bruno – CRUNKPOW
05.Freddie Bruno – SAKE SHOT GLASS
06.Lord Beatjitzu – Hong Kong Ginseng
07.Symphony Sounds – Unchanted

CD2:
08.Micah smith – Hu lu si
09.Micah smith – Prideand prevalence
10.IQ – Не Грузи Меня (feat. YG)(instrumental)
11.Selçuk Exxis – Kardan Alevler
12.Jonesmann & phreQuincy – Superstar (Instrumental)
13.Micah Smith and mirF – Eagle Claw [Prod. Micah]
14.Turn it loud – This Chinese B***
15.Dj khaira mellow chinesestyle instrumental
16.HiPPiE (aka Duffcritter) – Chinese Folk Beat
17.Various Artists – monica – sideline ho instrumenta
Continue Reading

  • 4月 21 / 2014
  • 0
Rhythm 旋律

Evolve One – Dear Seattle


Life is evolution, music is a part of life, that is why I’m go by Evolve (One)
Evolve One came up during a simpler era. SP1200s and MPC60s. Soul, Jazz, Rock inspired samples. Low End Theory. As long as there was that tick tick followed by that bump. My how the times have changed.
Born in Harvey, Il (about 30 mins south of downtown Chicago). Evolve One grew up around Gangster Disciples and Latin Kings, but tried my hardest to stay clean. His first introduction to hip hop was by a fellow classmate when lent his “The Great Adventures of Slick Rick”. Evolve One was mesmerized by the word play and the way the beat made soul feel. From that moment on Evolve One was addicted.
Evolve One later moved to a small city about an hour north of Memphis, TN (Dyersburg). It was here that would begin my first musical dwellings at the age of 15. Evolve One tried my hand in rhyme saying, but ultimately found my niche in the beat production side of hip hop. Borrowing a friends 4-Track and looping up some of my Dad’s old records was instantly hooked. Another high school friend taught me the basics of using what was then simply called Fruity Loops. Using this program I started understanding workflow a little better, but as the responsibilities of becoming a man became more and more inevitable, the beat making started to slack off.
In 2001, 5 days before 9/11, Evolve One was relocated to San Diego, CA by way of the United States Marine Corps, by way of the Navy. It was around 2005 when Evolve One realized that needed to increase my creative output so Evolve One purchased a Roland SP505 to use along with FL Studio.
In 2010 Evolve One future wife and he made the move up to Oakland (East Oakland to be exact). It was here that Evolve One decided needed to experiment more with my sound and purchased NI Maschine. This product has helped increase my workflow at least 10 fold. Evolve One usually say that it’s not the tools you use but how you use them, but in certain cases you can really tell how much a product has an influence on your sound (see also Pete Rock and the SP1200)
Which brings me to the current time. Seattle is the place now call home. Evolve One find myself surrounded by some truly inspiring artists (and landscapes) which help increase my creativity. Evolve One look forward to what the future holds.

01. Welcome to the Town
02. Cascadia
03. 12th and Jackson
04. West Seattle Bridge Jumper
05. Boren and Yesler
06. Snoqualmie Sasquatch
07. C.Hill
08. Sound of the Sound
09. Pioneer Square Junky
10. Fuck an Umbrella
11. South End
12. Beacon Hill
13. 45th Smoothness
14. Bell Town
15. 99 Northbound
Continue Reading

页面:12
中国HipHop制作人Beats作品征稿中 立即加入